Ton signals in everyday life a trend in which man is seen and observed as an object of research, a consumer or as part of an audience to be considered. Characteristic, personal and emotional features do not matter anymore. Instead Ton’s works are anonymous and faceless.
He expresses this in his work by placing this anonymous, faceless man in emotionally charged situations. It arouses the interest in the question of who these people are. What drives them? What goes on inside them? Not the people have these emotions, but the environment and context in which Ton puts them, evoke the emotions.
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